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+Camera & Film : Pentacon Six TL Mc Biometar Carl Zeiss 80mm / TMAX 400
+Developer : Kodak TMAX developer / TMAX Fixer / Ilford Stop Bath
+Scanner : Epson V700 Photo
Into the sun test shot at ISO 800, f/8, 1/10000 electronic shutter, with substantial Highlight and Shadow recovery processing on RAW image in Iridium Developer and Aperture.
Olympus 35RC
Ilford HP5+ 400 @800
Developed 13:30 @16C in a homemade ascorbic developer.
2 grams ascorbic acid
5 grams sodium carbonate
0.2 grams metol
1L water.
Film stock: Kodak Tmax 400
Expiry 01/2003
Format: 135
Camera: Pentax P30
Lens: SMC Pentax-A 50mm F1.4
Developer: Caffenol C-L
Time: 60 min @ 20-21degC semi-stand
NB The film base was still fogged. New precision scales used so it is not a problem of incorrect proportions of caffenol ingredients.
I visited Rippon Lea historical mansion last Friday on a beautiful and sunny day. Whilst I was strolling through the gardens behind the house, I came across a bed planted with an amazing variety of dahlias.
Some were identified as to what variety of dahlia they were. This one is an Ivanetti Dahlia which have rich maroon coloured blooms.
Dahlia is a genus of bushy, tuberous, herbaceous perennial plants native to Mexico and Central America. A member of the Compositae family of dicotyledonous plants, its garden relatives thus include the sunflower, daisy, chrysanthemum, and zinnia.
Rippon Lea Estate is a heritage-listed historic house and gardens located in the leafy inner Melbourne suburb of Elsternwick. Built in 1868 for Sir Frederick Sargood, a wealthy Melbourne businessman, politician and philanthropist, the Sargood family lived at Rippon Lea until Frederick's death in 1903. The property was sold to a consortium of real estate developers who had plans to demolish the house and subdivide the land. However due to one of the partner's deaths, it was partially subdivided and the house and remaining land not subdivided was sold to Ben and Agnes Nathan, who owned the Maples chain of furniture stores in Melbourne in 1910. The Nathans lived there until Ben's death in 1935. The property then passed to their eldest daughter, Louisa, along with a legacy of one million pounds. Louisa bequeathed the Rippon Lea estate to the National Trust upon her death in 1972. It is still in the care of the National Trust of Australia today. It was added to the Australian National Heritage List in August 2006. The house is sometimes used for exhibitions and the Hollywood style ballroom built in the 1930s is used for functions, most commonly weddings. The gardens are often used for entertainments such as open air plays, opera and children's shows.
Pentacon Six TL w/ Carl Zeiss Jena Biometar 80mm f/2.8 and Ilford FP4+ (Kodak HC-110 dil. B, Ilford rapid fixer). f/4, 1/250s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
I'm not so sure about FP4+ and HC-110 (B). First of all, the development times given in Ilfords datasheet are way off, by a couple of stops. Through trail and error, I've came to the conclusion that the real development time is something more like 5min at 22 C. Even then you got a slight over development, and probably is 21 or 20 C a more correct temperature for 5 min.
Once you've found a reasonable development time, the level of grain is what you would expect of FP4+.
As a rule of thumb, at box speed, the development time for HC-110 (B) should be slighly shorter than that for D76 stock, which is also a hydroquinone developer.
Model: Ebba Reslow
Text prompt: Arnold Newman like portrait 😛 Not sure if NightCafe knows Arnold? ...but then again an older version!!! 😛
www.icp.org/browse/archive/objects/arnold-newman
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Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too..
I for one think we are blurring the future. Can we trust what we see? Do you accept this "new" way of looking at things?
Things are likely to become yet more complex as use of artificial intelligence by artists becomes more widespread, and as the machines get better at producing creative works, further blurring the distinction between artwork that is made by a human and that made by a computer.
here a quote by Friedrich Nietzsche
“I’m not upset that you lied to me, I’m upset that from now on I can’t believe you.”
developers.mews.com/why-ai-lie-and-what-we-can-learn-from...
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HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.
© VanveenJF Photography
Taken during the summer, in Mortehoe, near Woolacombe, Devon, on a spur of the moment camping trip.
I'm waiting on 3 xpro films to come back from the developers.... can you tell?!
As promised since our update to the Venus, Isis and Freya bodies are now complete and our developer kits have been updated we will now reopen our applications to apply to be a Belleza Mesh Creator....
Details on our blog: BELLEZA MESH CREATOR APPLICATION & AGREEMENT – NOW OPEN!
The United States is experiencing the fallout from our industrial decline. Many small towns and big cities across the nation are dealing with abandoned factories, hotels, banks, churches, amusement parks, malls, restaurants, and so on, with too few resources and innovative ideas to revitalize their communities. More often than not, plans for redevelopment or historic preservation fall through, primarily because of the huge price tags for such projects. It looks as if the former Scranton Lace Factory will be the exception to this rule.
I know that many people are upset over the loss of all but one of the company’s historic three story tall, 50 foot long, 20 ton looms. But where could anyone realistically store a room full of such devices? I applaud the developers for including a museum that will pay homage to the factory and the generations of employees who worked there as part of the plans to turn the old facility into a complex that will include 190 apartments, 42 offices, a medically-based fitness center, restaurants and retail space. It’s just a fact that communities and developers have to strike a balance between historic preservation, economic development, and reality in order for any revitalization project to become a success. And sadly, sometimes history has to be lost to move forward with plans for the future.
The owners of Scranton Lace have been very generous to the community and those who value history by allowing numerous photographers the opportunity to photograph and preserve the history of this manufacturing giant before moving ahead with renovation.
Scranton Lace manufacturing spanned two centuries of American history. They were the world’s largest producer of Nottingham lace. Their facility included bowling alleys, a gymnasium/theater, a barber shop, an event size kitchen, employee showers and a fully staffed infirmary.
This photo was featured in EXPLORE on October 7 , 2011. It was #126 when I learned about it....
For more photos from this location, visit:
Abandoned Scranton Lace: A Visual Autopsy of the American Dream
From the first day of the Congress of the New Urbanism 25, Seattle. Left: University & First; Right: View out the window at GGLO, the location of the Small Developer Seminar
Fort Custer Recreation Area near Augusta, Michigan. January 9, 2016.
Pentax Mz-S
FA 28-105 f4-5.6
Kentmere 400 rated @400
Tmax developer 1+4, 6min @ 20c
Toned image from scanned B&W exposure. My first experiment with Tmax developer and K400.
16-00575_tu6
UN 54 film developed in PMK developer. This developer is a bit different as it really enhances the greyscale
1/6
Event: Tatton Park Classic Car Show
Location: Tatton Park, Knutsford, Cheshire
Camera: Canon EOS 5
Lens(s): Canon EF 50mm f/1.4 & Canon EF 28mm f/1.8
Film: Kodak Vision3 50D
Shot ISO: 50
Light Meter: Camera
Exposure: f/2.8
Lighting: Mostly Sunny
Mounting: Hand-held
Firing: Shutter Button
Developer: Bellini C-41 Kit
Scanner: Epson V800
Post: Adobe Lightroom & Photoshop (dust removal)
Konica Hexar RF + Carl Zeiss Distagon 35/1.4 ZM + Foma Retropan 320 Soft Black&White Film / Developed By Me / Scan By Noritsu HQ-1800 @ Fengyue (The Highest Quality Scan)
Developer: Foma Retro Special (Stock) 5 Min @ 21 Degree
Stopper: Ilford Ilfostop
Fixer: Spur Ultrafix
Wash Aid: Fotospeed WA50
Wetting Agent: Kodak Photo-Flo
Fujifilm X-T1, XF18-135mmF3.5-5.6 R LM OIS WR, RAW / Iridient & Lightroom 5.5
Fuji X Secrets workshops
Read the X-Pert Corner blog.
New books:
Die Fujifilm X-E2. 100 Profitipps
Equipment Used: Hasselblad 501CM - 120mm Makro
Film & Developer: TMY II - Pyrocat HD
Paper & Developer: Ilford Warmtone - Dektol - Kodak Selenium
Filter: Red
Taken on Kodak, TMAXX 100 in a Nikon F3, developer was Rodinal 1:25
Prints available at zacharymassengill.smugmug.com
For Processing BW Film - Not For Drinking!
The FPP’s new Caffenol Developer for Black and White Processing at home! CUP O’ JOE is a powder solution in a handy pouch that when mixed with water produces 1 Liter of BW Home Developing solution that will process up to 4 rolls of 35mm, 120 or 8 4x5 sheets of BW film.
filmphotographystore.com/products/darkroom-supplies-caffe...
It only makes sense to start a CineFilm review with a CineFilm Developer, in this case a clone of Kodak D96. And you know, it works amazing. The results shine with amazing contrast, excellent grain, and sharpness.
You can read the full review online:
www.alexluyckx.com/blog/2025/03/04/film-review-blog-no-10...
Canon EOS Elan 7 - Canon Zoom Lens EF 28-105mm 1:3.5-4.5 USM - ORWO UN54+ @ ASA-100
Flic Film B/W Cine Film Developer (Stock) 6:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
The Film Photography Project now brings you D96 B/W negative developer. Long used in the motion picture industry as the standard B/W developer, but previously only available in very large quantities. We now have it available in powder to make 1 US Gallon.
D96 is a lower contrast film developer with the ability to increase the contrast by increasing your developing times or agitation. We have tested this developer with not only cinema films like X2 (Eastman Double-X), ORWO Cinema Films and FPP LOW ISO BW, but with standard B/W films like Kodak Tri-X. T-Max and Ilford FP4 an HP5 films.
Camera: FrankenBessa 2
Lens: 65mm f8 Schneider-Kreuznach Super-Angulon
Film: Ultrafine Extreme 400
Developer: Xtol
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None